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Dialogue Without Words,[link widoczny dla zalogowanych]
Divided Lines
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Unusual Monuments of New York City
class="dynamic">Sleepwalking in NYC
In the city that never sleeps at (two above a black avenue (3), the poems persona stops apt identify with a deep image of duality. In the poem,[link widoczny dla zalogowanych], New York City taxi cabs are so numerous by one identifiably lonesome hour that they chance a phalanx (1) that surges uptown in tune / to the staggered lights (1-2). Immediately, the reader is engrossed in the mechanical tempo of the crossing at 107th & Amsterdam, merely the image, favor an adept bass soloist, digs deeper smudging two young dark / men (2-3). The intonation is set for homage to irony interweaving male and machine, motion and stillness.
Dancing on a Wire
Driving a automobile is an activity that is often taken for acknowledged in present-day times with the added distractions of GPS, mp3s, and cellular calls. It is infrequent that drivers take the time to fulfil the weight of mortality that bears down on the yet tensioned struts, axles, and tires of automobiles. Only approximately 5 feet of space separates two cars working opposite instructions on a two-lane street, not much chamber for error. The cabs and men in the poem appear outwardly unaware of their own behavior which is contrasted with the hyperawareness of the persona creating tonal balance.
The young men speak in a metropolitan vernacular labeling the cabs as mother****ers (4) and warning them, don’t mess up (5). Conversely, the cabs find their voice and Three of five cabs honk: We’re here / also, older and clawing for a alive, dont / **** up (5-7). Stepping behind the reader may placard namely taxi cabs might be deeding metonymically for the working class meantime the youth men signify revelers. The 2 antagonistic forces mean not offense along the vulgarity. Interpretation of the talk requires a depth namely namely synonymous with the manner of the poetry itself: deep picture. The temperaments talk the language of the metropolis joining realism.
The cabs presently start to rush uptown (7). The voice shrewdly refers to the motion as a agreeable explanation. Subsequently, the scene changes from a chaotic rush to a versed ballet (9) where Nobody falls alternatively brakes (9). The voice no only plays with words, but likewise with cultural and artistic dichotomies; figuratively, showing the reader that the oppositions conjoin creating a dance of unparalleled virtuosity which mushrooms up out of the ordinary. Markedly another facets of society are likened to a ballet,[link widoczny dla zalogowanych], the maximum kinesthetic masterpiece requiring herculean stability and synchronization.