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But if you shut your eyes as a terse moment and equitable listen to the sounds, the disagreement starts to melt away. The lightning-fast scale passages of Paganini and Liszt blend well with the superhuman intensity required in Speed Metal.
By transcribing goes at classic composers over apt guitar and playing them by break-neck speed, with head-banging intensity, The Great Kat sought to incorporate 2 (seemingly) disparate genres into the completely fashionable Shred/Classical (a quick Google search above Shred/Classical does appear to signify that most casualties of the term are related with The Great Kat, but whether a genre of an musician really counts as an all genre is a differ question).
"Interview with The Great Kat." Interviewed by Brian Rademacher. Sept. 18 [link widoczny dla zalogowanych], 2005. Rock Eyez.
What does The Great Kat prove? That yesterday's Romantics are simply today's Shred Classicals?
In fact, those late Romantic composers were constantly phoned "possessed" in their own daytime, illustrating that virtuosity has long meant outdoing what the ordinary person being tin do. And through the eye-bleeding fonts, The Great Kat includes biographies of several Romantic composers on her website.
Classical and Metal: Worlds Apart?
These Romantic, 19th-century composers are the cause The Great Kat switched genres: she was frustrated by the work of 20th-century composers Cage and Schonberg, whom it seemed hardly ever anyone could melodrama. It is Beethoven, Sarasate, Wagner, Paganini and Liszt whom she transcribes (as well as earlier composers Bach and Vivaldi).
Perhaps such would be the natural path for numerous promising young classical musicians, but behind performing at Carnegie Recital Hall and voyaging the world, Katherine Thomas had different fancies approximately her vocational vocation.
At 1st glance [link widoczny dla zalogowanych], the 2 genres namely The Great Kat tries to join really do seem earths apart. The visual flamboyance and superhuman ferocity namely The Great Kat adopts from one of the more utmost genres of Metal don't seem to fit with the cultivated passion of a genteel Classical representation. A violinist at Carnegie may play till his forehead glows, but the performance is forever controlled, distant from the audience. The Great Kat [link widoczny dla zalogowanych], on the additional hand, encourages chaos and slave-like dedication in her spectators. Her website bleeds the eyes with garish fonts and gruesome images.
Read on
Composer Franz Liszt's Mistress
Franz Liszt Biography
Johannes Brahms
What does a classical musician do when she starts classical piano courses at age 7 and classical violin courses at age 9, triumphing a scholarship to Julliard School of Music for her violin genii at age 15? Should she hearing for the chair of the New York Philharmonic? Embark on a dazzling solo career with performances at Carnegie?
"The Great Kat Biography." The Great Kat website.
Sources
Liszt may have influenced screaming fans in his day, but the agreement lobbies performing his music today seemed obedient. Thomas whereupon changed her performance label to The Great Kat and brought her technical proficiency and adore of classical melody to an entirely different genre: Speed Metal.